Since the birth of rap music artists have written songs about pretty much everything: progress, struggle, success, failure, societal ills and the responsibility of hip-hop, even an “extraterres
Source: How Police And Prosecutors Are Treating ‘Rapping While Black’ Like A Crime
This entry was posted on November 12, 2015 by serious2020. It was filed under Adults, AFRIKAN, AFRIKAN, Afrikan History, Art, Black History, Black Lives Matter, Children, Commentary, Community outrage, crack cocaine, Culture, Digital, Digital, Education, Hip Hop, Human Rights, illegal sentencing, International Law, Law, Media, Militarized police, Music, Night of the Long Knives, Poetry, Police Brutality, police corruption, Political, Politics, predictive policing, predictive policing, Prisoners, Prisons, Racism, Radio, Rap, reactionaries, secret surveillance, Serious2020, Spiritual, stop and frisk, terrorism, Torture, UN, Video, Vigils for AFRIKAN children, War against Afrikans, War on Drugs, War on Drugs (alleged), Weaponry, Youth, Youth and was tagged with African/Black experience, Afrikan, Antwain Stewart, Artists, Assistant District Attorney Bruce Dearing, Black Panther Party, BPP, Brandon Duncan, California's STEP Act, Eric Nielson, felony conspiracy charges, Fred Hampton, freedom, Hip Hop, Huffington Post, incarceration nation, Lilly Workneh, McKinley "Mac" Phipps, Michael Render, murder, music, New York Times, Newport News Virginia, Nick Wing, No Safety, police brutality, prisoners, prisons, prosecution of rap lyrics, protest, racism, Rapping while Black, San Diego, stop and frisk, Street Terrorism and Prevention Act, terrorism, Thievery Corporation, Tiny Doo, University of Richmond, Vox magazine, War on Afrikans.
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