Source: The 50 Greatest Films by Black Directors
This entry was posted on June 25, 2016 by serious2020. It was filed under 'Round Midnight, Beasts of the Southern Wild, Black History, Blaxploitation films, Commentary, Culture, Documentary Film, Eyes of the Rainbow, Film, Fruitvale, FRUITVALE STATION, Quvenzhane Wallis, Sankofa, Serious2020, Spike Lee, The Spook that sat by the door, Through A Lens Darkly and was tagged with #OscarsSoWhite, 12 Years a Slave, 25th Hour, about Black people, African/Black experience, Afrikan, amma Asante, Artists, Ashes and Embers, Belle, Bessie, Black Directors, Black Films, Black Girl, Boyz n the Hood, Charles Burnett, CREED, Crooklyn, Darnell Martin, Daughters of the Dust, Dee Rees, Devil in a Blue Dress, El Hajj Malik El Shabazz, Ernest Dickerson, Eve's Bayou, F Gary Gray, Friday, Fruitvale Station, Gordon Parks, Haile Gerima, Hollywood Shuffle, House Party, I Like It Like That, John Singleton, Juice, Julie Dash, Just Another Girl on the IRT, Kasi Lemmons, Killer of Sheep, Leslie Harris, Malcolm X, Mo Better Blues, Ousmane Sembene, racism, Robert Townsend, Ryan Coogler, Spencer Williams, Spike Lee, The Blood of Jesus, The Learning Tree.
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